Long time without an update, but I was kind of waiting on hearing on a few things. Lots of ups and downs lately, but this one will be focused on Hand Fart finally being released online.
It's been over a year since Hand Fart first screened and I had really high hopes for it because it's a really short piece that leaves an impression. I submitted to all of the larger festivals and even got invited to some higher end festivals, but by the end of it I had only gotten into the Nashville Film Festival. That experience was really great though and we won the Audience Award at that festival so I still believed in the movie, but we never really got into any other festivals. I was told that it was hard to program, which I suppose I can understand.
Because Nashville Film Festival was an Academy Award Qualifying festival I was eligible to submit for the movie to be a Vimeo Staff Pick Premiere. They only pick one movie a week and they usually follow it with a small write up. Unfortunately, I didn't get a staff pick premiere, but my movie did get picked as a staff pick, which is just as good. I always thought that Hand Fart would do better online anyway, so I'm glad to announce that it is now online for all to see on Vimeo. I even made this cool thumbnail for everyone.
So watch it, share it, do whatever. I think this is the greatest artistic achievement I've created so far and I hope people recognize it. I've been writing a lot and have a lot of things coming, but I hope this holds people over until then.
Hand Fart from Stanley Wong / Travis Ashkenasy on Vimeo.
This is where you can go to learn about stuff that I'm doing or have been doing... I guess.
Saturday, July 1, 2017
Monday, May 15, 2017
Last Straw Trailer and Sex Bell
The trailer for the short that I co-directed with Vince Cruz that played at the recent LA Asian Pacific Film Festival got posted. It had a really great audience reception actually. I was initially scared it wouldn't do so well because the whole production was kind of rushed and I wasn't super stoked about the script because I don't even drink boba. It probably won't be online for a while, but until then you can check this out.
I worked on another short last weekend as part of the AT&T Create-A-Thon Festival. After the LA Asian Film Festival I got depressed because I felt like I hadn't made that much, even though half of the year had almost passed. I got an email for this 32 hour competition thing and I started reaching out to some folks to see if they were interested in making something. Even up to the day before I still wasn't sure if I was going to go through with it though.
We didn't know for sure if there would be any parameters to how the short would be made, but thankfully Chris Lee (who was part of the We Kill Kaiju's team that I was a part of for channel 101) wrote a script out just in case there weren't any restrictions. Me and my roommate Phil went to the meeting and found out we could make whatever we wanted and we got home and started rushing to produce things so that we could shoot for the next day. We somehow were able to secure all the cast, crew, and locations before the night ended.
The next day was a bit of a whirlwind. Actors were dropping out and we were scrambling to fill those roles while still traveling to shoot and getting everything together. Surprisingly, everything actually all worked out. The only thing that didn't was the shoot we had planned in a subway train. We thought we were just gonna walk on to an empty train and start shooting, but when we got down there we realized that there were way too many people. We ended up just shooting it on the subway platform, but even then there was a lot of security that we had to avoid. At one point they came out and we hid all of our cameras and they stood there and stared at us and we thought for sure we were busted. Then all of a sudden they asked us if we saw a suspicious looking person carrying a bunch of trash and we pointed him in the opposite direction and finished the scene when they were out of sight.
I stayed up all night editing with Phil. We would take turns taking one hour naps while struggling to keep our heads straight. I really love the rush of being on set, but there was definitely a moment where I thought "I don't think I really miss this part." By the end of it, we came out with a pretty good movie and turned it in maybe 10 minutes before the deadline. We went to the screening and in my opinion I thought ours was way above everyone else's and sure enough we won. We got 40 $25 amazon gift cards. We ended up splitting it pretty evenly among all the cast and crew.
I worked on another short last weekend as part of the AT&T Create-A-Thon Festival. After the LA Asian Film Festival I got depressed because I felt like I hadn't made that much, even though half of the year had almost passed. I got an email for this 32 hour competition thing and I started reaching out to some folks to see if they were interested in making something. Even up to the day before I still wasn't sure if I was going to go through with it though.
We didn't know for sure if there would be any parameters to how the short would be made, but thankfully Chris Lee (who was part of the We Kill Kaiju's team that I was a part of for channel 101) wrote a script out just in case there weren't any restrictions. Me and my roommate Phil went to the meeting and found out we could make whatever we wanted and we got home and started rushing to produce things so that we could shoot for the next day. We somehow were able to secure all the cast, crew, and locations before the night ended.
The next day was a bit of a whirlwind. Actors were dropping out and we were scrambling to fill those roles while still traveling to shoot and getting everything together. Surprisingly, everything actually all worked out. The only thing that didn't was the shoot we had planned in a subway train. We thought we were just gonna walk on to an empty train and start shooting, but when we got down there we realized that there were way too many people. We ended up just shooting it on the subway platform, but even then there was a lot of security that we had to avoid. At one point they came out and we hid all of our cameras and they stood there and stared at us and we thought for sure we were busted. Then all of a sudden they asked us if we saw a suspicious looking person carrying a bunch of trash and we pointed him in the opposite direction and finished the scene when they were out of sight.
I stayed up all night editing with Phil. We would take turns taking one hour naps while struggling to keep our heads straight. I really love the rush of being on set, but there was definitely a moment where I thought "I don't think I really miss this part." By the end of it, we came out with a pretty good movie and turned it in maybe 10 minutes before the deadline. We went to the screening and in my opinion I thought ours was way above everyone else's and sure enough we won. We got 40 $25 amazon gift cards. We ended up splitting it pretty evenly among all the cast and crew.
So anyways, I posted the video on youtube recently. It's called Sex Bell and it's pretty good considering we made it in less than two days. Enjoy.A post shared by Stanley Wong (@swong37) on
Sunday, April 30, 2017
Nashville Film Festival / LA Asian Pacific Film Festival 2017
Little late on doing my monthly updates. A lot of things have actually happened. I recently got cast in a Fox pilot, which is great because it was initially a really light pilot season. In fact, I was actually supposedly booked in a much smaller role in the show but then they cut from the script. A week later, I got notice that they had written in some new roles and because they had already seen me they just gave it to me. It was a really great experience, but with the looming writer's strike it may not actually even happen so we'll see what happens. I'll write more about it when I figure out if that gets settled.
So Hand Fart played at the Nashville Film Festival, which I thought was great because it's the first non Asian related festival we got into. Me and Travis both flew down there and it was our first time going to Nashville. There's some really great red carpet photos we were able to take.
Our first screening unfortunately played at a bad time because it conflicted with the opening party and the local shorts program. It was less than half full, but it played really well. We both had to leave before our second screening, but apparently it was almost full during that one. I knew we probably wouldn't win any of the traditional jury awards, but I got notification that we actually won the audience award. We're even featured in an article in Variety, which is my first time being in that publication. http://variety.com/2017/film/news/nashville-film-festival-complete-winners-list-1202403863/ I have my certificate coming in the mail and in the meantime, I get these cool laurels now. I hadn't won an award for my movies since we won the audience award for Steve Chong so I'm glad that I feel like I'm getting back into the groove of becoming an award winning filmmaker again.
I otherwise have a short that is playing at the LA Asian Pacific Film Festival again this upcoming week. It's from a script that I didn't write, but I was asked to direct from a friend. So I don't feel like it is a movie that is exactly mine, but I'm still glad I have a movie in the festival again. It's called The Last Straw and is about competitive boba drinking.

Other than that I've been very much inspired to create a lot more. I'm writing a zombie feature with an old collaborator and still polishing a previous pilot from before. I'm really trying to get a 10-15 minute short off the ground in the next few months. The year is starting off pretty strong. I'm looking forward to it.
So Hand Fart played at the Nashville Film Festival, which I thought was great because it's the first non Asian related festival we got into. Me and Travis both flew down there and it was our first time going to Nashville. There's some really great red carpet photos we were able to take.
Our first screening unfortunately played at a bad time because it conflicted with the opening party and the local shorts program. It was less than half full, but it played really well. We both had to leave before our second screening, but apparently it was almost full during that one. I knew we probably wouldn't win any of the traditional jury awards, but I got notification that we actually won the audience award. We're even featured in an article in Variety, which is my first time being in that publication. http://variety.com/2017/film/news/nashville-film-festival-complete-winners-list-1202403863/ I have my certificate coming in the mail and in the meantime, I get these cool laurels now. I hadn't won an award for my movies since we won the audience award for Steve Chong so I'm glad that I feel like I'm getting back into the groove of becoming an award winning filmmaker again.
I otherwise have a short that is playing at the LA Asian Pacific Film Festival again this upcoming week. It's from a script that I didn't write, but I was asked to direct from a friend. So I don't feel like it is a movie that is exactly mine, but I'm still glad I have a movie in the festival again. It's called The Last Straw and is about competitive boba drinking.

Other than that I've been very much inspired to create a lot more. I'm writing a zombie feature with an old collaborator and still polishing a previous pilot from before. I'm really trying to get a 10-15 minute short off the ground in the next few months. The year is starting off pretty strong. I'm looking forward to it.
Friday, March 10, 2017
Music Video and other stuffs
Forgot to make updates for a while. The Channel 101 show that I starred in got cancelled in the February screening. It was sad, but we got voted in 7th place so we didn't make the top 5 to be able to make a 4th episode.
Also, my first music video that I directed actually made it's online debut a few months ago. My friend Peter Su, who I met at We own the 8th, asked me to direct it. It's not the typical material that I usually make, but I was excited to try out the medium and I like his music. It was a cool experience and I'm definitely excited about making more in the future. It was even recently featured on the Huffington Post, which was cool.
http://www.huffingtonpost.com/entry/with-chinese-new-year-of-the-rooster-beckoning-musician_us_588130f3e4b0d96b98c1d9f9
Other than that I recently started co-directing another short with Vince Cruz who brought me on. It'll be playing at the LA Asian Pacific Film Festival so I'm excited I have something playing two years in a row.
Handfart got into the Nashville Film Festival, so its first Non-Asian Festival screening. Also working on some more shorts. Blah blah blah.
Also, my first music video that I directed actually made it's online debut a few months ago. My friend Peter Su, who I met at We own the 8th, asked me to direct it. It's not the typical material that I usually make, but I was excited to try out the medium and I like his music. It was a cool experience and I'm definitely excited about making more in the future. It was even recently featured on the Huffington Post, which was cool.
http://www.huffingtonpost.com/entry/with-chinese-new-year-of-the-rooster-beckoning-musician_us_588130f3e4b0d96b98c1d9f9
Other than that I recently started co-directing another short with Vince Cruz who brought me on. It'll be playing at the LA Asian Pacific Film Festival so I'm excited I have something playing two years in a row.
Handfart got into the Nashville Film Festival, so its first Non-Asian Festival screening. Also working on some more shorts. Blah blah blah.
Saturday, January 14, 2017
New Year
So it's 2017. Just wanted to give a few thoughts on what's happened so far and what I hope/plan to do for the year.
I've been submitting Hand Fart to festivals. It got rejected from Sundance/Slamdance, but I submitted to about 10 more so I'm hopeful to be able to travel if it gets accepted to those festivals. Stay tuned for that. I really think it should be able to do well on the festival circuit.
I recently wrote a TV pilot with my frequent collaborator Travis Ashkenasy and Desmond Chiam (who I've cast in a handful of my projects) and have been submitting it to certain grants and fellowships. It's a little different from what I usually write because it's so high concept and a little bit more of a traditional comedy, but it's looking really good and I'm excited to get my hand in writing. I'm not really sure what you're supposed to do with a pilot script, but I really think it will lead to more in the future.
Speaking of Travis Ashkenasy, he recently moved from Los Angeles back to the bay area. It came as quite a bit of a shock since I felt like I had finally found a collaborator I really enjoyed working with and we were just starting to create some really great stuff, but real life things forced him to move and I'm now in a position where I need to figure out how to keep things going. Granted, the bay area isn't far so we still very much plan to meet in Los Angeles and continue writing and shooting when necessary, but currently he is out of the country for the next three months so I need to figure out what to do with my time until then as well.
So, on that end, one of my goals is to complete another short. I'm thinking in the 10-15 minute range so that I can make something with a bit more of a story and impact. Loose details so far, but I want to make something on the topic of online dating and how it has changed the game of relationships so far. Tone wise, I feel like my wheelhouse has been playing with genre and presenting really serious material and pushing it to where it just ends up being funny. I'd like to experiment with the opposite and present typically comedic material, but take it so far that you actually see some of the tragedy behind it. Hard to think of examples, but I think my friend's short (which recently won the grand jury prize at Sundance) is a bit of an indicator of what I want to go for.
Thunder Road from Jim Cummings on Vimeo.
Other than that, I want to keep up the acting stuff as well. I have high hopes this year. I feel like I have a lot of momentum going into it. I actually booked my first audition of the year on a new show already. It's a one day role, but I felt like it was a good one. I'll write about that in a very near future post.
I've been submitting Hand Fart to festivals. It got rejected from Sundance/Slamdance, but I submitted to about 10 more so I'm hopeful to be able to travel if it gets accepted to those festivals. Stay tuned for that. I really think it should be able to do well on the festival circuit.
I recently wrote a TV pilot with my frequent collaborator Travis Ashkenasy and Desmond Chiam (who I've cast in a handful of my projects) and have been submitting it to certain grants and fellowships. It's a little different from what I usually write because it's so high concept and a little bit more of a traditional comedy, but it's looking really good and I'm excited to get my hand in writing. I'm not really sure what you're supposed to do with a pilot script, but I really think it will lead to more in the future.
Speaking of Travis Ashkenasy, he recently moved from Los Angeles back to the bay area. It came as quite a bit of a shock since I felt like I had finally found a collaborator I really enjoyed working with and we were just starting to create some really great stuff, but real life things forced him to move and I'm now in a position where I need to figure out how to keep things going. Granted, the bay area isn't far so we still very much plan to meet in Los Angeles and continue writing and shooting when necessary, but currently he is out of the country for the next three months so I need to figure out what to do with my time until then as well.
So, on that end, one of my goals is to complete another short. I'm thinking in the 10-15 minute range so that I can make something with a bit more of a story and impact. Loose details so far, but I want to make something on the topic of online dating and how it has changed the game of relationships so far. Tone wise, I feel like my wheelhouse has been playing with genre and presenting really serious material and pushing it to where it just ends up being funny. I'd like to experiment with the opposite and present typically comedic material, but take it so far that you actually see some of the tragedy behind it. Hard to think of examples, but I think my friend's short (which recently won the grand jury prize at Sundance) is a bit of an indicator of what I want to go for.
Thunder Road from Jim Cummings on Vimeo.
Other than that, I want to keep up the acting stuff as well. I have high hopes this year. I feel like I have a lot of momentum going into it. I actually booked my first audition of the year on a new show already. It's a one day role, but I felt like it was a good one. I'll write about that in a very near future post.
Friday, December 9, 2016
Son of Zorn appearance. Network TV Premiere!
So this past weekend I had a co-star role in the show Son of Zorn. It wasn't until it aired and I was watching it on television that I realized that this is my first role on network television. Lady Dynamite is considered a TV show, but technically it's on Netflix so it's not something that you have to catch live on television.
Anyways, it was a pretty good role. I recently updated my reel and put my scene and it can be seen below. Most of it is in there, which is good because I usually always fear getting cut out.
It was an interesting experience acting opposite a cartoon. They would usually do a first take with a stand in. In this case, it was a girl wearing a large green box and like a green ski mask covering her face. Then they would do a second take without the stand in and I would have to just remember where they were and use points on the wall as a point of reference and the stand in would talk to be from behind the camera. My scene wasn't even that complicated, but it was really weird. I can only imagine what it would be like with more complicated special effects and stuff.
Anyways, it's the end of the year. It had its ups and downs. Preparing for next year. Blah blah.
Anyways, it was a pretty good role. I recently updated my reel and put my scene and it can be seen below. Most of it is in there, which is good because I usually always fear getting cut out.
It was an interesting experience acting opposite a cartoon. They would usually do a first take with a stand in. In this case, it was a girl wearing a large green box and like a green ski mask covering her face. Then they would do a second take without the stand in and I would have to just remember where they were and use points on the wall as a point of reference and the stand in would talk to be from behind the camera. My scene wasn't even that complicated, but it was really weird. I can only imagine what it would be like with more complicated special effects and stuff.
Anyways, it's the end of the year. It had its ups and downs. Preparing for next year. Blah blah.
Stanley Wong Comedic Reel from Stanley Wong / Travis Ashkenasy on Vimeo.
Tuesday, November 1, 2016
New videos and stuff!
Kind of lagging on updating this, but I have some updates to post.
First off, I have this video finally finished. I think it might be the weirdest thing I ever made. So much so that I sat on it for over a year because by the time I finished shooting and editing it I realized it didn't really work and I didn't know how to make it work. I guess after a year I just embraced that it is what it is and released it. Props to Jordan Garcie for making the sweet song, which is way better than the video deserves.
Also, I hate dancing so I'm not sure how I convinced myself to do my terrible dancing skills running around Sunset Blvd. (It's supposed to be a weird homage to Footloose BTW).
Next up, I have this short that I starred in. This is a channel 101 short, which is a monthly screening of webseries episodes where the audience gets to pick what they want to see next month because they only pick the top 5. I went to channel 101 two years ago and watched a short from a pair of filmmakers that I loved and I talked to them in hopes of being able to work with them in the future. It took two years, but I was able to be in this. We also got voted into the top 5 so be on the lookout for more of these.
Other than that, I have a Hand Fart screening as part of the San Diego Asian Film Festival and I recently finished up shooting on my first music video for my friend Peter Su. I'll be trying to get that done for the end of the month so I'll post that as well.
First off, I have this video finally finished. I think it might be the weirdest thing I ever made. So much so that I sat on it for over a year because by the time I finished shooting and editing it I realized it didn't really work and I didn't know how to make it work. I guess after a year I just embraced that it is what it is and released it. Props to Jordan Garcie for making the sweet song, which is way better than the video deserves.
Also, I hate dancing so I'm not sure how I convinced myself to do my terrible dancing skills running around Sunset Blvd. (It's supposed to be a weird homage to Footloose BTW).
Next up, I have this short that I starred in. This is a channel 101 short, which is a monthly screening of webseries episodes where the audience gets to pick what they want to see next month because they only pick the top 5. I went to channel 101 two years ago and watched a short from a pair of filmmakers that I loved and I talked to them in hopes of being able to work with them in the future. It took two years, but I was able to be in this. We also got voted into the top 5 so be on the lookout for more of these.
Other than that, I have a Hand Fart screening as part of the San Diego Asian Film Festival and I recently finished up shooting on my first music video for my friend Peter Su. I'll be trying to get that done for the end of the month so I'll post that as well.
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